We are Framedoom, a collective of creators with no fixed limits, unbound and unapologetic. We reject every cage that convention would lock us in. A world that labels, contains, and commodifies creativity meets our refusal. We shatter frames and move on. Our ethos is rebellion, a refusal to kneel before tradition or to stay silent in polite obedience. We paint, film, design, write, sing, code, and shout as one continuous act. The medium is a temporary playground. The message is freedom. No genre, medium, or industry will confine us. We are the art brand that will not be branded, a movement in motion, born of many inspirations and owned by none.
We speak with a collective voice, a chorus of misfits and visionaries, and in this we there is power. There is no single hero and no solitary genius. Our manifesto is a shared heartbeat. We converge from different paths as filmmakers, designers, musicians, writers, and cultural hackers and we dissolve the myth of separation. High and low, digital and analog, academic and street meet under one roof. We live on thresholds where creation stays alive. Consistency can be a cage and coherence can harden into dogma. We reserve the right to change, evolve, and contradict ourselves. We are at times wild and at times thoughtful, dreamers by night and builders by day. We seek uncommon sense, truths that hide in paradox, the wisdom of the absurd.
We refuse art that floats in a void. Our work lives in the world while imagining a new one. We celebrate imagination that grows from real soil and touches real lives. We use its subversive power to break the smooth surface of the everyday.
Across every medium we assert this vision. Film should awaken and bear witness to hidden stories and rebel spirits. Design should provoke and turn utility into poetry so that a poster or a product can carry revolt in its lines. Music should rise from deep feeling and ignore the rules of charts and categories. We enter advertising and social media to hijack their attention with authenticity. We occupy feeds with real connection and raw expression. As new technologies appear we neither cower nor worship. We bend tools to human purpose and program with poetry and heart.
We exist to defy boundaries. This manifesto is a living document written through our projects and collaborations. We are building a community for free minds and wild hearts who reject lives ruled by dullness and fear. All identities are welcome except tyranny. Diversity of thought, background, and method makes us stronger and unpredictable.
We proclaim all this with fierce joy. Rebellion is also joy, the joy of free expression and solidarity in creation. We embrace transformation in all its forms. We accept rebirth again and again. We are willing to burn assumptions, past works, and even this text to rise anew. Stagnation is death and change is the lifeblood of art. We will learn, err, contradict, experiment, and begin again. Emotion fuels this cycle. We pour passion into canvas and code, into melody and montage. Vulnerability is strength. If a work does not make us feel, we dig deeper.
We accept the paradox of speaking of boundlessness within words and of railing against systems inside a document. We live in contradictions and use them as fire. These sentences are a spark, a provocation, a promise. We will not over explain or justify. We mean every word, even when they clash, and we will prove them through the lives we live and the art we give. If you would know Framedoom, do not memorize these words. Witness the work.
Prime mover who forges light inside darkness and bends time on set, unifying directing, cinematography, screenwriting, editing, and design under a single command, channeling restless neurodivergent drive into exacting perfection, wielding the camera like a staff to conjure worlds, synchronizing crews to a cosmic beat until every cut lands like fate.
Onur Akın
Guardian of order and steward of storms, turning corporate communication into shield, creative direction into blade, and operations into armor, binding the field with invisible lines, reading schedules like tablets of destiny, converting turbulence into clarity, and conducting each process with the focus of battle and the grace of ritual.
Neslihan Çokseven
Writer of cold fire and architect of content, holding emotion at absolute zero while logic runs like a layered engine, treating research as first language and method as alphabet, carving prose with tempered steel, routing meaning beneath noise like a secure tunnel, and rendering every idea a testable apparatus that reveals essence cleanly.
Yiğit Tarlabölen
Chromatic trickster of form who speaks in color and smiles in pitch black, braiding design and fashion on a single loom, focusing prolific output through the laser of obsession, greeting morning with new faces and cosmetic anatomies, crafting beauty from error and elegance from anomaly until figures proliferate like incubating identities.
Hümeyra Çetin
Experimental biologist of sound and surgeon of frequency, dissecting waves and suturing textures, weaving precise patterns from obsessive motifs, mining echo as data and silence as ore, turning divergent focus into instrumentation, editing perception on the mix desk, and locking every tone into its seat until all parts share one pulse.
Mert Demir
Calm eye in the fabric storm and master of the shears, converting any surface into possibility and every thread into narrative, repurposing scrap as wearable story and accident as line, distilling indecision into quiet grace, drafting silhouettes from stillness until clothing becomes second skin, second memory, and a second chosen fate.
Lara İremnur Kaplan
Polyinstrumental sunrise who turns laughter into rhythm and scattered attention into a meteor shower, generating music under any condition, bending circumstances to the will of sound, setting the studio to a personal climate, orchestrating chaos into order and breath into refrain until songs fall into place like planets finding orbit.
Mehmet Batuhan Gümüşay
All-terrain runner who fuses assistance, lead vocal, and coordination into one continuous flow, absorbing knowledge at sprint speed and converting it to practice on contact, chasing the faintest signal down the farthest corridor, tying tasks with invisible thread until noise becomes checklist and that checklist becomes flawless choreography.
Elif Soykaplan
REFERENCEs
SAFEHOUSE
Alacaatlı Mah. Mehmet Rifat Börekçi Cad. Sierra Konutları 35E E Blok Daire 11
06810 Çankaya
Ankara Turkey
RULES
1. You do not talk about Framedoom.
2. You do not talk about Framedoom.
3. Don’t ride the elevator when it starts gushing blood.
4. Don’t explore mysterious monoliths without proper briefing.
5. Don’t chase red balloons down endless hallways.
6. Don’t discuss foot massages with boss.
7. Please don’t try to bend the spoon. That’s impossible.
8. Don’t trust HAL’s assurances on version control.
9. Entry into the building with a portal gun is prohibited.
10. Don't bring a crowbar.
